A Bit of Elegance and Simplicity

The other day I was trying to access a blog and it was taking forever to come up. Now, there is a website where you can find out how long it takes for your blog or website to come up. So I thought I'd test my blog and a few others to just see what the time is for several different types of blogs. Just a few examples for you:

Several blogs were 5.xx seconds range.
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One was 17 seconds.
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Another one was 11.5 seconds
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Another popular one with over 30,000 viewers was 31.2 seconds.
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Costco was 2.4 seconds
*Funny but Walmart wouldn't let me time it but it was instantaneous, which means they probably have a T-line and a fantastic IT person. :-)
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Amazon was 1.8 seconds.
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A news site was 4.1 seconds
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Etsy was 1.1 seconds, even with all the photos!
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My Photobucket was 3.2 seconds with almost 10,000 photos on it.
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The main Photobucket was 1.1 seconds.
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eBay was 2.29 seconds!
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One "celebrity" blogger, who has a LOT of stuff on her blog is 10.8 seconds.
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Another very popular blogger was 15.2 seconds
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Another "celebrity" blogger was 1.32 MINUTES.
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One blogger who I follow and like is 7.9 seconds
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One of my favorites is 7.3 seconds
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One popular blogger was 2.9 MINUTES to load! I'll never go back to that blog.
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Mine was 1.9 seconds, but I Photoshop all my photos to make them smaller in terms of jpg size. This shows that it definitely helps. Also, blogs with pngs are very, very slow.
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Apple's was 1.4, so they're one—along with etsy and Photobucket—who was faster than my blog. I find that incredible though.
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This is not scientific data, just fun.
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Haven't we all dreamed of having a little cottage shed in our backyard for either storage or just a place for ourselves? I have. I'll never have one but I daydream about it. Daydreams are alive and well in this home! I'm just too frugal and too old to get one.

This looks like a style that seems to be gathering steam as a new provocative style. Personally, I don't care for it but I'm sure a lot of Berkeley students are decorating as we speak. ;-)

Pink is all that needs to be said about this room.

I don't know where this is but from the architecture it looks like something on the East Coast rather than West Coast. I just wonder if those wood planks on the window open and close. It's a beautiful and extraordinary window.

For those of you who wish for spiral staircases. I don't think I'd want one simply because I don't like stairs at all, but this one is gorgeous.

Look how cute this pendant light made of canning jars looks. Perfect for a farmhouse look.

Well-worn and -used copper pots.

This is a restaurant in the Phillipines, where my daughter-in-law is from. Our son and his wife travel over there about every 5 years to visit her family. This is one of the cities they've visited. The water goes under the tables so you'd better be shoeless. I'm sure the kids love it!

I truly do love white with dark blue piping. I think I'd like it with pink piping much better though.

And yes, I'd love this chair also, exactly like it is with those stripes. Gorgeous!

Aren't the walls of this kitchen exquisite?

This is a shawl pin I saw on the internet. It actually keeps your knitted shawl or scarf together. Go visit Claudia and see her exquisite handmade scarves.

And this chair? This is the chair in my living room. It's the photo Thomasville sent me when the chair was made and ready for delivery. It's one of the most beautiful chairs I've ever seen and I just love having it in my home.*

I've always wanted to make a ding in the universe; I doubt I will, but I have no doubt I'll put a ding in a very minute portion of it.
Connie
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All photos courtesy of pinterest and tumblr.

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Bohemian Embroidery

Illustration: Egerland embroidered cuff

Bohemia is the westernmost region of the modern Czech Republic and for centuries was part of the multi-ethnic and sprawling Austro-Hungarian Empire. Bohemia itself was, to a certain extent, an example of at least a bi-ethnic community with both Czech and German towns and communities within its regional borders.  The embroidery within this article is generally Bohemian in context, but to be more specific it concerns what was generally known as Egerland embroidery. Egerland, surrounding the town of Eger, modern day Cheb, was in the extreme western area of Bohemia and was until as recently as the end of the Second World War, largely populated by those of German descent.

Illustration: Egerland embroidered cuff

In this respect it is probably wise to differentiate, at least partially, between German and Slav embroidery in the region. All the examples of embroidery shown here are of Ederland and therefore German origin. The rest of Bohemia tended to follow the larger Slavic tradition of national costume with large areas of embroidery work. However, Ederland embroidery was much more localised, and became more so the closer we get to the twentieth century where modern clothing replaced much of the traditional national costumes of the area. Embroidery became limited to much smaller areas of decoration, particularly around the cuffs of shirts and blouses.

Traditional Egerland colours for embroidery work tended to contain large amounts of blue and yellow, rather than the predominant red of Slavic embroidery. Whether the colour variation was used to differentiate regions and ethnic divisions is unclear, although the Egerland population's natural and consistent sympathy towards German culture, whether that be Austria itself or neighbouring Bavaria, rather than with the Slavic Czechs in the rest of Bohemia, may have something to do with the consistency of colour.

Illustration: Egerland embroidered cuff

What is interesting about the design work shown here is how closely at least some of the examples are to the decorative work produced at the turn of the twentieth century, particularly by those designers associated with the Wiener Werkstatte. This groundbreaking and popular decorative movement, which was founded in 1903 and was to dominate the decorative arts of Vienna for at least a decade or more, was dominated in its turn by what at the time was considered traditional peasant art. The regional diversity of the Austro-Hungarian Empire proved a particularly rich resource for the designers of the Werkstatte.

Bohemia was connected directly to the Wiener Werkstatte on a number of levels. At least a dozen of the large contingent, who worked for the Werkstatte over its lifetime, were born within Bohemia or Moravia, including Josef Hoffmann himself. Factories and workshops within the region also supplied products with the distinctive Wiener Werkstatte look, particularly in glass of which Bohemia was and still is famous.

Illustration: Egerland embroidered cuff

Although no sweeping statements can be made about designers with Bohemian or Moravian backgrounds swamping the Werkstatte with ethnically derived decoration, it is within the realms of possibility to say that at least some of the background and initial ideas of an artist or designer can originate from childhood memories and neighbourhoods. Josef Hoffmann himself has gone on record as admitting that his Moravian background influenced at least some of his Werkstatte decorative work.

Whatever the reasoning behind any influence on the Werkstatte itself, the design work shown here is fresh, lively and unpretentious. There is little of any classically static engineering of the decoration, with work appearing to be both bold and spontaneous. This general style of embroidery work which could be found across Central and Eastern Europe provided an enormous inspirational vocabulary for a number of schools, organizations and movements of the late nineteenth and early twentieth centuries. It is certain that its influence, at least to some extent has been downplayed by the perceived influences of more exotic areas of the world outside of Europe. Perhaps this has more to do with European ethnic and regional decoration being judged as largley unaesthetic and broadly amateur in quality and nature. However, this makes it all the more important to recognise as an influence on the decorative arts of Europe.

Illustration: Egerland embroidered cuff

Egerland Embroidery, like all other regions of European embroidery work, has a decorative list of parameters that makes it unique within the larger European framework. It is this regional uniqueness, all with separate vocabularies, that has allowed European embroidery to become such a rich, diverse and influential medium that has spread well beyond its own craft.

Reference links:
Peasant Art in Austria and Hungary
Wiener Werkstatte: 1903-1932 (Special Edition) 
Embroideries & Patterns from 19th Century Vienna (Embroideries & patterns from nineteenth century Vienna from the Nowotny collection)
Goddesses and their offspring: 19th and 20th century Eastern European embroideries
Wiener Werkstatte: Design in Vienna 1903-1932
Textiles of the Wiener Werkstatte: 1910-1932
Viennese Design and the Wiener Werkstatte

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