A New Clothing Trend?

Sittin' around again just thinking. This is starting to become a habit. I probably need to spend more time doing something other than reading, which usually gets me thinking more than usual.

Anyway, I was searching the internet for beautiful gowns to post on my Pinterest. What in the world is the fashion industry doing to clothing?! I saw high-end clothing that was sheer enough to be almost invisible. Beautiful suits, dresses, gowns, blouses, etc. All showing the full glory of a woman's body. I could not believe it! No sane upscale woman would wear something like that and certainly no woman over the age of 35 without a boob job. And please pardon me for being so frank, but it's getting ridiculous. Okay, okay, maybe the Hollywood-types...no, wait a moment, they definitely would wear that type of clothing. But I just cannot see making clothing so sheer your underwear shows. And, yes, that is the case in a lot of those designs. No professional business woman would wear what the designers are coming out with today. I think they're doing it to shock women. No husband would want his wife wearing something like they're designing. I'm sorry but I'm not going to post any of those dresses, blouses or gowns on here. If you want to see some, you'll have to find them yourself.

Then—and this is the most bizarre thing—they're designing clothing for the head. Yes, they're making sure they're following the politically correct designs for the countries that want their women's heads covered. Some look like anyone wearing it would be smothering. Is this what designers really think women want? Are they catering to some other country's idea of what women should wear? Puhhhleeeze, cut this out; it's disgusting. Some of the "headwear" even had the look of an iron mask. Some were so disgusting to even be mentioned here. What is this world coming to? Enough!
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Another mosaic I made. I loooove eye candy, don't you?

Cute entry way.

Gauze curtains surrounding a patio area.

Pale green and pink roses.

This looks like a delightful store!

Pretty packaged gifts.

Another pretty living room.

Chocolate dipped Rice Krispie bars. Yuuuummmm...

Bejeweled fabric.

Prettily painted chest of drawers.

A dining room in an attic. How lovely and clever.

Beautiful dining area.

Cute idea.

Just flowers.

Lovely wicker basket packed with pretties.

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Tidbits:
English-speaking kids read more novels and fewer comics than kids of other language groups.
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Ballerina's Toes

Having been a high heel wearer in my younger years and loving the way they made my feet and legs look, I now try to warn the young women today at church how they'll suffer for wearing the highest heels imaginable in their youth. I loved and still love moderately high heels. I had some absolutely stunning heels that friends wanted to buy if I would sell them. Unfortunately, my feet were bigger than theirs—size 8 1/2 and they wouldn't fit them when I no longer wore them. I sold some on eBay and some I just cannot part with. So I truly know how you younger women feel. But I've had to have surgery on both feet to correct what those heels did. (I fully anticipate any young woman reading this will "pooh-pooh" what I'm telling you by rationalizing that it could never happen to them. I laugh but feel sorry for them because that's exactly what is going to happen to them in a few decades, especially with the ridiculously high heels now that have women almost standing on their toes.

I saw some article the other day that sent me to another article that talked about ballerina's feet. Our niece was a ballet dancer and auditioned for the NYC Ballet. I cannot remember if she danced for them but she was a professional ballerina for a short period until she met her hubby and got married. She is a beautiful long-legged young woman with 2 boys almost grown. But when I think about her and what she gave up, I'm certainly glad she did.

Ballerina's suffer immeasurably from being on pointe most of their lives. The feet you are about to see are some of the worst cases I've seen, and they will never be normal again.

So if you're the mother of a little girl wanting to be a ballet dancer, think twice about what her later life will be like. The younger years will definitely determine how much pain she'll endure down the line.

This is what some of the ballerina's feet end up looking like. The legs are also distorted with most of them.

Never to be able to be repaired.

Ruined toes and feet.

Pain and wrecked toes.

Deformed.

This is the worst case I've seen.

Twisted and painful.

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Now, let's look at some eye candy and beautiful photos.

Sigh. Yeah, the first photo is one of a darling pair of shoes. Sorry about that. But they are cute.

A quaint, sweet home in Europe somewhere.

And another pretty home.

I would never have thought of painting my kitchen cabinets in stripes but I love these.

Look at all the windows. They all have the same curtains so this must be just one person's house above a business. Absolutely adorable.

Some of my favorite things to show—beautiful fabrics.

A charming office for a woman.

Isn't this cute? I don't think I'd want to live beneath a waterfall though.

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Tidbit:
The world's largest eatery: the Damascus Gate restaurant, in Syria. It seats 6,014 persons.

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Another Travel Story

As I stated in a recent post, my son was in Scotland golfing while his son was in Europe seeing the sights of several countries. Son's girlfriend just graduated University and wanted to see the sites of places she would be teaching about: arts and sciences. Grandson went along to protect her and keep her company.

One country, which is known pretty much for its snobbishness, lived up to their expectations. They would ask for directions and knowing these people speak English, as most European countries do, they refused to answer in English. The only people who would help them were other tourists. It left a stain on their reputation along with many other stains. And truthfully, they don't come any kinder or sweeter than my grandson or his girlfriend.

When grandson's girlfriend—let's call her Miss S—went into a restaurant to order a sandwich to go, the waitress put it in a paper bag, Miss S reached for some napkins on the counter and almost got her hand smacked, and did get a finger wagged in her face. Rude beyond words! She was told not to touch anything on the counter, in English this time.

Now, I can speak a bit of other languages to get me around a country just a bit, but truthfully, most of the countries I've been to have been kind and gracious. But that's pretty much on this side of the world. The other side? Not so much. But I at least can tell them to speak slowly so I can get directions, but truthfully I've never been treated shabbily by any country I've visited.

Our daughter had a similar experience with some travelers on an airplane coming back from the Mediterranean 3 years ago. Same country, same obnoxiousness. Loud, rude and overbearing. Refusing to be considerate of other passengers. We experienced that once with some Austrian students on our plane. Totally obnoxious.

So my advice to anyone is to not think those countries we lust to visit are sweet, kind, friendly and willing to accept Americans. They are NOT! That's one of the reasons I refuse to travel abroad anymore.
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Isn't this one of those kind of houses that you'd see in Connecticut or Rhode Island? I lived in Newport, R.I. for a very short time when I was very young.

A gorgeous Spanish-style home. Lovin' all those windows.

These are all items from Green Gate in Denmark. I'd love to have some but I truly don't need any more plates.

These little tins are a favorite of mine also. I'll check and see how much they are. I can always use more storage things.

They have aprons, sheets, fabric, towels and storage things in the most gorgeous prints and colors.

Another example of their wares. Aren't they scrumptious?

Pretty fabrics in lovely prints.

They even have soaps and lotions.

And pretty ribbons.

And buckets!

A wonderful secluded area for a private luncheon.

Isn't this patio beautiful with the fabric curtains blowing in the breeze? And even a canopy of canvas to temper the midday sun.

Another quiet area to lull around on lazy summer afternoons.

A simple clean bath area in blue, pink, green and yellow. Well done!

A cute way to show off your garden roses in Mason jars on a rustic vintage bench.

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Joseph Paton Tablecloth Designer

Illustration: Joseph Neil Paton. Linen tablecloth design, 1851

This series of linen damask tablecloths were featured at the Great Exhibition of 1851. They were produced by the Scottish company of Beveridge, founded by Erskine Beveridge and was based in Dunfermline.

There is a small element of confusion concerning the designer of these particular tablecloth pieces. In the catalogue that accompanied the Exhibition, the designer was listed as Joseph Paton. However, there are two Joseph Paton's, father and son. Joseph Neil Paton the father was a well known Dunfermline designer of damask work. However, Joseph Noel Paton his son, also produced damask work in Dunfermline, but only briefly before his real career as a successful fine artist became paramount.

Illustration: Joseph Neil Paton. Damask tablecoth design, 1851

Illustration: Joseph Neil Paton. Damask tablecloth design, 1851

It is probably correct to think that Joseph Neil Paton a professional designer, was used for Beveridge's prestigious display at the Great Exhibition, though the work of his son cannot be entirely ruled out as a possibility, especially as Paton was to become a firm favourite of Queen Victoria, which Beveridge would have been an unwise not to have used as an opportunity. However, Joseph Noel Paton was at the start of his fairly illustrious career in 1851, and it might well have been a little too early to have caught the imagination and eye of Queen Victoria.

In this respect these design pieces will be attributed to Joseph Neil Paton. The work is typical of the 1840s and into the 1850s. Much of the decorative work is European based, particularly French in style. An interesting point is that tablecloth design work often seems to have imitated carpet and rug design work. This can clearly be seen with the examples shown here. There is much in the design work that imitates French carpet styling and decoration during the period of the 1840s and 1850s.

Illustration: Joseph Neil Paton. Damask tablecloth design, 1851

Illustration: Joseph Neil Paton. Damask tablecloth design, 1851

These tablecloths may well appear to us to be a little overly decorated for a table top cover. However, they are extremely fine examples of the genre and it must be remembered that they would have had to have competed with the best that France could produce, which was substantially above what British companies were manufacturing during this period. Although the company might well have struggled in supplying France with damask table linen, they did have a healthy export market to the United States as well as a very good domestic market for their product.

Beveridge the company, was obviously not taking any chances at either mis-representation or under-representation as these examples are only a handful of over a hundred that were on display at the Great Exhibition. Textiles were a very large part of the Exhibition, particularly during a period when Britain dominated the cheaper mass-production side of the world market. However, it was the decorative and design led textiles that drew attention, rather than, as was hoped, the technology of the machinery of mass-production.

Illustration: Joseph Neil Paton. Damask tablecloth design, 1851

Illustration: Joseph Neil Paton. Damask tablecloth design, 1851

Patriotism and a certain element of ingratiation was expected from a large proportion of at least the British and British Empire exhibits. Beveridge produced at least a proportion of tablecloth work that fitted this criterion. A medallion of Queen Victoria is one of the most obvious examples shown here. However, there were also examples that showed St George and the Dragon, and figures representing St Andrew and St Patrick. However, these were only ever meant to be display options and possible souvenirs, while the bulk of Beveridge and Paton's work was for the serious business of marketing and hopefully the creation of new export opportunities.

Many dismiss the Great Exhibition as a vulgar display of excess, badly designed and mis-placed creativity, and monotonous machine produced work. To a certain extent this was true, but only partially as there was a fairly broad spectrum of machine and hand made work, with many diverse examples from across the planet. To have engineered this extraordinary event, displaying the world as it was in 1851 at one venue, is a feat worthy of admiration. However, for all future generations it has proved to be a valuable snapshot, an example of the state of decoration and ornamentation, for better or worse, of the mid nineteenth century. It gives us an unrepeatable and fascinating library of decoration and design.

Reference links:
The Great Exhibition of 1851: A Nation on Display
The World for a Shilling: How the Great Exhibition of 1851 Shaped a Nation
Britain, the Empire, and the World at the Great Exhibition of 1851
The Industry of Nations, As Exemplified in the Great Exhibition of 1851. the Materials of Industry (2010 Reprint)
The Great Exhibition, 1851
1851 Great Exhibition Fete Paris Grand Ball Hotel Ville
Echoes Of The Great Exhibition (1851)
The Great Exhibition, 1851: A collection of contemporary documents; (Jackdaw)
Lectures On the Results of the Great Exhibition of 1851: Delivered Before the Society of Arts, Manufactures, and Commerce
Great Exhibitions: London-New York-Paris 1851-1900
Journal of a trip to London, Paris, and the great exhibition, in 1851

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